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Hans Holbein
Christian arrest
mk252 Oil on canvas 134 x 166 cm
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Hans Holbein
Whipping
mk252 Oil on canvas 138 x 115 cm
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Hans Holbein
Pilate wash their hands too
mk252 Oil on canvas 134 x 155 cm
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Hans Holbein
Adam and Eve
mk252 paper board painting 30 x 35 cm in 1517
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Hans Holbein
Boniface Moba He Santos
mk252 oil painting pine board 28.5 x 27.5 cm in 1519
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Hans Holbein
Portrait of young people
mk252 canvas board 44 x 32.5 cm
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Hans Holbein
Mr Benedict Hetengsitan portrait
mk252 oil painting of wood paper 52.4 x 38.1 cm in 1517
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Hans Holbein
Yuehanfuluo the portrait
mk252 Oil on canvas 39.5 x 33.5 cm in 1520-1526
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Hans Holbein
Erasmus portrait
mk252 oil painting pine board 37 x 30.5 cm in 1523
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Hans Holbein
Thomas Cromwell
mk252 drawing board 78.4 x 64.4 cm
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Hans Holbein
North Layisike yucca
mk252 linden wood 35.6 x 26.7 cm painting in 1526
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Hans Holbein
Thomas and his son s portrait of John
mk252 oak panel painting 36 x 36 cm in 1528
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Hans Holbein
The portrait of Erasmus of Rotterdam
mk252 Oil on canvas 18.2 x 14.5 cm in 1530
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Hans Holbein
Writing in the Erasmus
mk255 canvas 0.43 x 0.33 meters. Paris, the Louvre
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Hans Holbein
i rod sammetsklaning med parl-och rubinbesattning
1536
se
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Hans Holbein
Portrat des Heinrich VIII
1542(1542)
Medium Deutsch: Öl und Tempera, Holz
Dimensions Deutsch: 219 x 66 cm
cyf
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Hans Holbein
Portrait of Henry VIII
Oil on panel, 57.4 x 44.2 cm, Royal Collection, Windsor Castle.
Date 1550-1650
cyf
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| Hans Holbein
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German
1497-1543
Hans Holbein Galleries
Holbein always made highly detailed pencil drawings of his portrait subjects, often supplemented with ink and colored chalk. The drawings emphasize facial detail and usually did not include the hands; clothing was only indicated schematically. The outlines of these drawings were then transferred onto the support for the final painting using tiny holes in the paper through which powdered charcoal was transmitted; in later years Holbein used a kind of carbon paper. The final paintings thus had the same scale as the original drawings. Although the drawings were made as studies for paintings, they stand on their own as independent, finely wrought works of art. How many portraits have been lost can be seen from Holbein's book (nearly all pages in the Royal Collection) containing preparatory drawings for portraits - of eighty-five drawings, only a handful have surviving Holbein paintings, though often copies have survived.
David Hockney has speculated in the Hockney-Falco thesis that Holbein used a concave mirror to project an image of the subject onto the drawing surface. The image was then traced. However this thesis has not met with general acceptance from art historians.
A subtle ability to render character may be noted in Holbein's work, as can be seen in his portraits of Thomas Cromwell, Desiderius Erasmus, and Henry VIII. The end results are convincing as definitive images of the subjects' appearance and personality.
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